These are two 8 x 10 studies of an old neglected building in Galveston,
with 2 more in the works. I've been working on several larger canvases
but am not yet satisfied with how they're developing. Switching gears
usually disrupts whatever single-minded obsessive rut I seem to fall into.
There are several layers on these, some where everything is spelled out,
then scraped and softened, then repainted. Sometimes I get too focused
on what I'm observing and don't pay enough attention to what's happening
on the canvas. Working in layers feels natural to me but it was mostly to try
to get things more "right." Now I'm watching the layers create optical grays
and a skin or patina so that the paint itself seems as important as the
subject. These may need more work but they'll be set aside for a bit and
looked at again later. (The other rut I'm prey to is overworking and ruining!)